"Rénjì hé Zìrán" by Zhào Lìhóng · Prose · Unit 3 Life Sentiments
The author recalls visiting Mount Huang many years ago, where he saw the tired old look of the Welcoming Pine, sighing at how human traces have damaged natural scenery. He then uses Jiuzhaigou to discuss the relationship between human traces and nature. While reading, notice:
| Item | Details |
|---|---|
| Born | 1952 |
| Birthplace | Shanghai |
| Identity | A renowned contemporary Chinese essayist and poet |
| Positions | Vice-chair of China Essay Society; Vice-chair of Shanghai Writers' Association; Director of Shanghai Literature magazine |
| Essay award | Bing Xin Essay Award (1st edition) in 2013 for The Shadow of the Sundial (《日晷之影》) |
| Poetry award | Slovenian Golden Key International Poetry Award in 2014 |
| Literary award | Shanghai Literature and Art Award (Outstanding Contribution) in 2014 |
| Major works | Poetry collections Coral, Silent Winter Green; essay collections Heart Painting, Newton's Biography; Selected Works of Zhào Lìhóng |
Human Traces and Nature recounts the author's visits to Mount Huang and Jiuzhaigou. Mount Huang in Anhui is famous for its four wonders: peculiar pines, grotesque rocks, sea of clouds, and hot springs. Jiuzhaigou in Sichuan is famous for emerald lakes, layered waterfalls, colourful forests and snowy mountains. Both are typical examples of human damage to natural scenery.
Borrowing scenery to express emotions is an indirect way of conveying feelings through descriptions of nature. The writer does not state emotions directly but embeds them within images of landscape.
| Word | Pronunciation | Meaning |
|---|---|---|
| 人跡 rénjì | rén jì | Human traces or footprints |
| 疲憊 píbèi | pí bèi | Exhausted, weary |
| 老態 lǎotài | lǎo tài | The look of being old and feeble |
| 慨歎 kǎitàn | kǎi tàn | To sigh with regret |
| 小徑 xiǎojìng | xiǎo jìng | A path, a trail |
| 幽谷 yōugǔ | yōu gǔ | A secluded, deep valley |
| 野松 yěsōng | yě sōng | Wild pines (unplanted, natural) |
| 蒼勁 cāngjìng | cāng jìng | Old and strong, sturdy |
| 攀附 pānfù | pān fù | To cling to, to attach to |
| 迎客松 yíngkèsōng | yíng kè sōng | The Welcoming Pine (icon of Mount Huang) |
| 九寨溝 Jiǔzhàigōu | jiǔ zhài gōu | Jiuzhaigou (Sichuan scenic area) |
| 翠海 cuìhǎi | cuì hǎi | Emerald-coloured lakes |
| 疊瀑 diépù | dié pù | Layered waterfalls |
| 雲海 yúnhǎi | yún hǎi | A sea of clouds |
Through descriptions of the Welcoming Pine on Mount Huang, the wild pines in secluded valleys, and the scenery of Jiuzhaigou, the author expresses regret at human damage to natural scenery and calls for appreciation of nature and protection of the environment, exploring the relationship between human traces and nature.
| Compared Items | Features | Symbolism |
|---|---|---|
| Welcoming Pine | Aged, tired, clinging | Marks of human damage |
| Wild pines | Natural, vigorous, sturdy | The original, undisturbed nature |
| Mount Huang (many visitors) | Majestic sea of clouds but weary | Tourism damage to nature |
| Jiuzhaigou (few visitors) | Emerald lakes, layered waterfalls, pristine | Intact nature |
Who wrote Human Traces and Nature?
The author is Zhào Lìhóng, born in 1952 in Shanghai, a renowned contemporary Chinese essayist and poet. He served as Vice-chair of China Essay Society, Vice-chair of Shanghai Writers' Association, and Director of Shanghai Literature.
What is jiè jǐng shū qíng and what scenes does the text use?
Borrowing scenery for emotions is an indirect way of expressing feelings through landscape descriptions.
Scenes used:
What contrasts does the text use, and what is their function?
Contrasts in the text:
Function: Highlighting the impact of human damage on nature, prompting readers to think about environmental protection.
What is the central idea of the text?
Through descriptions of Mount Huang and Jiuzhaigou, the author expresses regret at human damage to nature, calls for appreciation of nature and environmental protection, and explores the relationship between human traces and nature.
What are the values of the text?
Values:
What are the "four wonders" of Mount Huang?
The four wonders of Mount Huang: